Over the holiday period, my partner and I went to visit her parents at their home in Galicia near La Coruńa in Spain. When it was New year’s eve, we followed a very old Spanish tradition by eating twelve grapes, one for each of the last twelve chimes of 2010 to bring you luck in 2011.
There was the procession of the three Kings in town on the 5th January (or here we know them as the three wise men), from their floats the three Kings threw sweets at the gathered crowd.
On the 6th January with it being King’s Day, we bought and ate some Roscón, which is a sweet, ring-shaped bread/ pastry covered in glacier cherries and sugar. A plastic toy is hidden inside once it’s made, whoever finds the toy gets good luck for the next year or you may find a bean and have to pay for the meal (not so lucky).
Some towns have major competitions involving Roscón to see who can make the largest ones.
In between all of these festivities, I had some time to do some drawing on the kitchen table.
More of my work on www.wmhudson.com
The start of a series of new blogs on past projects from the same month! Art in the Park (AiP) have been involved with many projects in the past, many of which have not been documented or posted up. We are finally hauling out and sifting through our never ending folders of pictures (digitally that is!) to bring you the best of each project.
The first of this month’s retrospective post is the Southwold Gate Project (2008) which was created together with AiP artists Andrea Sinclair and Bill Hudson and children from Southwold Primary School. Inspiration derived from the different plant forms found on the Hackney Marshes, such as willows and rushes.
The first session with the children concentrated on possible designs and motifs for the gate.
In the second session, the children crafted 24 3D insect forms in sculpting clay.
These were used to make 72 cast steel insects for the final installation. The final design of the gates was then put together by gate artist Heather Burrell working with AiP artists Andrea Sinclair and Bill Hudson.
To prepare the 24 clay insects for casting at the foundry, the edges of the sculptures were made at 45 degrees, avoiding overhangs or very thin areas. The details were also exaggerated. Once the models were suitable, silicon moulds were made, then finally resin casts and patterns.
Here you can see the final result and here for more pictures. We did a similar project to this for Surrey Square School.
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